Yes - Definitive Oakland 1988

Live at Oakland-Alameda County Coliseum Arena, Oakland, CA. USA 27th February 1988 (stereo soundboard recording).
This is the DAT master, which was recently unearthed and recorded directly from the Board console. The synchro feeling which can unify completely yes far from sticking is great. Every note is penetrated into the brain beyond the ear, neatly separate. It is a feeling of being buried that there are five people of Yes in the head. Moreover, master freshness is transcendence. Of course, there is no dubbing marks, but it was recorded by DAT rather than analog tape is large. Although the time of 30 years has passed, the deterioration is not seen at all, and it does not shaken a glossy sound as if it had been recorded only yesterday. Good recorded it, good was leaving. It lacks the "feeling of work" like the official edition which is mixed from a multi-track. However, this film has a "sense of work". The balance of each instrument is also perfect, and neat like the art in the whole ensemble. And the surprise is that the big cheers are recorded. But the great cheers between the songs came in at an exquisite moment, and indeed vast. It is a sound board unprecedented in all ages. The quality of the painting is exactly "90125 YES" is a culmination of the blockbuster, Trevor Rabin's solo "Solly's Beard" also firmly recorded. In particular, the repertoire of "Big Generator", "Shoot High Aim Low", "Holy Lamb" and "Love will Find A way" were dominated by the same masterpieces that were not played after that time. You can listen to it in the live of the official class sound. The first half of the show (Disc 1) is the greatest hits of the 80s, but the atmosphere completely in the second half (Disc 2). A fantasy show in which the great music of the Seventies is fed one after another unfolds. "Yours is No disgrace" "And You and I" "I've Seen All good People" "Roundabout", and the usual remarkable, but the performance "90125 YES" is unique. Tony Kay's keyboard is warm, and what makes Rabin's guitar sharper. It cut a modern, original phrase while taking care of the original. They were not just turned into pop bands, they were in progress along the ages. Its advanced live music is painted in colorful with the highest sound board. It's a live album that's exactly what we call "the yessongs of the eighties."