The Rolling Stones - Get Yer Ya-Ya's Out! - The Rolling Stones In Concert

*This super high definition release was remastered from the original tapes by award-winning mastering engineer Bob Ludwig, especially for high resolution download release.

1. The second live album of the Stones' career and often considered the greatest live album of the rock era. Rock critic Lester Bangs wrote at the time "The best rock concert ever put on record."

2. Recorded live over two nights at Madison Square Garden on November 27 and 28, 1969 on their historic November 1969 North American tour.

3. Recorded within days of the release of Let It Bleed and featuring live recordings of three of its titles:

"Love In Vain"
"Midnight Rambler"
"Live With Me"
4. Features their live recordings of two Chuck Berry songs: "Carol" (the studio version can be found on The Rolling Stones) and "Little Queenie" which only exists here as a live version by The Stones. Berry played some of the dates on the tour as an opening act.

5. The album title was derived from the Blind Boy Fuller song "Get Your Yas Yas Out" which Fuller recorded in 1938.

6. The recognizable album introduction "Ladies and Gentlemen, the greatest rock and roll band in the world" was voiced by Sam Cutler, The Rolling Stones tour manager at the time.

ABKCO Music and Records Inc. and HDTracks® are announcing the first-ever release of high definition digital downloads of The Rolling Stones ground-breaking catalog of studio, compilation and live albums in High-Fidelity FLAC formats offered in both 176.4kHz/24-bit and 88.2kHz/24-bit.

"Many years of research went into locating the original mono and stereo analog tapes that would be used in ABKCO's Rolling Stones Remastered Series. That research revealed a treasure trove of first generation tapes - true stereo masters from The Stones' 1964 Chess Studios sessions including the unedited version of "2120 South Michigan Avenue," Beggar's Banquet at its correct speed and Let It Bleed with splicing that indicates that the original intention was to leave little spacing between each cut.

For the analog to digital transfers, vintage reel-to-reel tape machines were utilized - a modified Ampex 351 with original tube electronics (full track mono and two track stereo) and an Ampex ATR-102 modified with Aria Discrete Class-A Electronics (full track mono and two track stereo). A Sonoma DSD digital audio workstation was the chosen high resolution format and Meitner Design ADC8 and DAC8 MKlV converters were used for the conversion process. Cables used were the cryogenically frozen type supplied to us by Gus Skinas of Super Audio Center. Gus also provided much guidance to Jody Klein, Steve Rosenthal and myself for our first time use of DSD technology. For this HD Tracks release, the Bob Ludwig mastered DSD files were converted to both 176.4kHz and 88.2kHz high resolution PCM with Weiss Saracon conversion software."

- Teri Landi, Archivist and Engineer, ABKCO Music & Records