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French music-hall and Philips's studio located on 20, rue de Clichy in Paris, founded in 1907 and destroyed in September 1958.
Directed by Jane Marnac, Keith Trevor and Camille Wyn in 1929 and 1930
Built in 1907, it was a huge room for the time (2000 seats), also equipped with a system called "basculo" which made it possible to transform the floor into a dance hall in 12 minutes, by tilting the floor and the seats, designed by the ingenious Félix Léon Edoux.
The 3 great Viennese operettas by Lehar and Straus were created there, "La Veuve joyeuse", "Rêve de valse" and "Le Comte de Luxembourg", as well as the great works of Louis Ganne.
Recording sessions engineered in this studio:
1953-06-16 from 1pm to 2pm by Georges Brassens and Pierre Nicolas for "La Cane De Jeanne" and "Il N'y A Pas D'amour Heureux"
1953-09-28 by Georges Brassens and Pierre Nicolas for unpublished tracks "Pauvre De Moi (P... De Toi)" and "Pauvre Martin"
1953-10-01 from 6pm to 8pm by Georges Brassens and Pierre Nicolas for unpublished track "La Marine" and "Le Vent", "La Cane De Jeanne", "Pauvre Martin", "Il Suffit De Passer Le Pont", "Le Nombril Des Femmes D'agents", "Ballade Des Femmes Du Temps Jadis" and "Bancs Publics"
1953-10-02 from 5pm to 8pm by Georges Brassens and Pierre Nicolas for "Brave Margot", "Comme Hier", "Le Mauvais Sujet Repenti" and "J'ai Rendez-Vous Avec Vous"
1953-10-12 by Jacques Brel for unpublished tracks "C'est Trop Facile", "Le Fou Du Roi", "Ballade", "Il Pleut", "Il Peut Pleuvoir", "C'est Comme Ca" and "Grand Jacques".
1953-10-13 at 12am by Georges Brassens and Pierre Nicolas for "La Marine" and unpublished track "Il N'y A Pas D'amour Heureux"
1954-01-15 from 7pm to 8pm by Georges Brassens and Pierre Nicolas for "Pauvre De Moi (P... De Toi)" and "Pauvre Martin"
1954-02-15 by Jacques Brel with André Grassi Et Son Orchestre for "La Haine", "Le Diable", "Il Peut Pleuvoir", "C'est Comme Ca", "Il Nous Faut Regarder", "Le Fou Du Roi", "Il Pleut", "Grand Jacques", "Sur La Place" and unpublished track "S'il Te Faut".
1954-10-28 from 5pm to 9pm by Georges Brassens and Pierre Nicolas for "Chanson Pour L'Auvergnat", "Les Sabots D'Hélène", 'Une Jolie Fleur", "Je Suis Un Voyou" and unpublished tracks "La Mauvaise Herbe" and "La Première Fille"
1954-11-02 from 6pm to 7pm by Georges Brassens and Pierre Nicolas for "La Première Fille", "La Mauvaise Herbe" and "Le Mauvais Sujet Repenti"
1954-11-17 from 5pm to 7pm by Georges Brassens and Pierre Nicolas for "Gastibelza" and "La Prière"
1955-03-11 by Jacques Brel with Michel Legrand Et Son Orchestre for "S'il Te Faut", "Qu'avons Nous Fait Bonnes Gens ?"
1955-03-17 by Jacques Brel with Michel Legrand Et Son Orchestre for "Les Pieds Dans Le Ruisseau"
1955-10-25 by Jacques Brel with André Popp for "La Bastille"
1956-05-14 by Jacques Brel with André Popp for unpublished track "Quand On A Que L'amour"
1956-09-18 by Jacques Brel with André Popp for "Quand On A Que L'amour" and "Prière Païenne"
1956-09-19 by Jacques Brel with André Popp for "Les Blés", "Dites, Si C'était Vrai" and "Saint Pierre"
1957-03-22 by Jacques Brel with André Popp for "La Bourrée Du Célibataire", "L'Air De La Bêtise", "Heureux", "J'en Appelle" and "Pardons"
1957-12-24 by Jacques Brel and Simone Langois with François Rauber And His Orchestra for "Sur La Place"